Plug-ins for macOS
Two focused instruments, one interface language. Everything you touch moves, meters and reports the value it is actually applying.
Hear it first
Real renders from the plug-ins, switched instantly so the playhead never moves. Both takes in each pair are matched to −12.0 LUFS integrated with peaks at or below −1 dBTP, because at different levels the louder one always wins and the comparison tells you nothing.
“Güvercinler”, a StudioZIO production, rendered through Mastering Suite 2.0.0. Judge tone, depth and stability.
Rendered through Tempo Delay 4.0.1 at 44.1 kHz. Judge placement, tail and stereo spread.
Catalog
Every product ships as a signed macOS installer with its formats and status stated up front.
A single macOS distribution for StudioZIO mastering software across standalone and plug-in formats.
Tempo-synced stereo delay with independent left and right timing, feedback shaping, and ping-pong spatial behavior.
A modular mixing environment that brings essential processing into one focused rack.
The through-line
The industry sells you a processor, then sells you a meter to find out what the processor did. StudioZIO puts both on one surface, and makes the honest comparison the default one.
Momentary, short-term and integrated loudness, loudness range, crest factor, sample peak, true peak and stereo correlation update while you work. No second plugin, no bouncing to check.
Gain match levels the bypassed and processed paths before you compare, and delta monitoring plays only what the chain added. Both exist because an unmatched A/B always flatters the louder side, whatever it actually did to the sound.
Every control is a parameter with a stable identifier, so automation lanes, macro mappings and saved sessions survive updates instead of silently re-binding.
Bypass is crossfaded rather than switched, so engaging it produces no transient. Filter cutoffs cannot cross and destabilise the loop. These are the parts nobody demos and everybody notices.